- Bring your literacy vignettes back to class with you!
- In twenty minutes, by hand, draft a college essay. Use a prompt from the Common Application, or any other college prompt. You MUST set an alarm and write the draft in one sitting, just get the draft on paper.
- Read Sherman Alexie's "Indian Education" (attached below) and anotate the text of the reading for answers to the following questions:
- What are the main ideas of "Indian Education"? How do you know?
- How is the piece organized? Why?
- Identify a specific vignette. What's the main idea (point) of the vignette? What specific strategies/techniques does Alexie use to create this effect?
Indian Education
(from The Lone
Ranger and Tonto Fistfight in Heaven)
Sherman Alexie
Sherman Alexie is a poet, fiction writer,
and filmmaker known for witty and frank explorations of the lives of
contemporary Native Americans. A
Spokane/Coeur d’Alene Indian, Alexie was born in 1966 and grew up on the Spokane Indian Reservation in Wellpinit , Washington . He spent two years at Gonzaga
University before transferring to Washington State
University . In 1991, Alexie published The Business of Fancydancing, a book of poetry that led the New York Times Book Review to call him “one of the major lyric voices
of our time.” Since then Alexie has
published many more books of poetry, including I would Steal Horses (1993) and One Stick Song (2000); the novels Reservation Blues (1995) and Indian Killer (1996); and the story collections The
Lone Ranger and Tonto Fistfight in Heaven
(1993), The Toughest Indian in the World
(2000), and Ten Little Indians (2003). Alexie also wrote and produced Smoke
Signals, a film that won awards at the
1998 Sundance Film Festival, and he wrote and directed The Business of
Fancydancing (2002). Living in Seattle with his wife and children, Alexie
occasionally performs as a stand-up comic and holds the record for the most
consecutive years as World Heavyweight Poetry Bout Champion.
“Indian
Education” – Alexie attended the tribal
school on the Spokane
reservation through the 7th grade, when he decided to seek a better
education at an off-reservation all-white
high school. As this account of his
schooling makes clear, he was not firmly at home in either setting.
FIRST
GRADE
1. My hair was too short and my U.S. Government glasses
were horn-rimmed, ugly, and all that first winter in school, the other Indian
boys chased me from one corner of the play-ground to the other. They pushed me
down, buried me in the snow until I couldn't breathe, thought I'd never breathe
again.
2. They stole my glasses and threw them over my head,
around my outstretched hands, just beyond my reach, until someone tripped me
and sent me falling again, facedown in the snow.
3. I was always falling down; my Indian name was Junior
Falls Down. Sometimes it was Bloody Nose or Steal-His-Lunch. Once, it was
Cries-Like-a-White-Boy, even though none of us had seen a white boy cry.
4. Then it was a Friday morning recess and Frenchy St.
John threw snowballs at me while the rest of the Indian boys tortured some
other top-yogh-yaught kid, another
weakling. But Frenchy was confident enough to torment me all by himself, and
most days I would have let him.
5. But the little warrior in me roared to life that day
and knocked Frenchy to the ground, held his head against the snow, and punched
him so hard that my knuckles and the snow made symmetrical bruises on his face.
He almost looked like he was wearing war paint.
6. But he wasn't the warrior. I was. And I chanted It's a good day to die, it's a good day to
die, all the way down to the principal's office.
SECOND
GRADE
7. Betty Towle, missionary teacher, redheaded and so ugly
that no one ever had a puppy crush on her, made me stay in for recess fourteen
days straight.
8. "Tell me you're sorry," she said.
9. "Sorry for what?" I asked.
10. "Everything," she said and made me stand
straight for fifteen minutes, eagle-armed with books in each hand. One was a
math book; the other was English. But all I learned was that gravity can be
painful.
11. For Halloween I drew a picture of her riding a broom
with a scrawny cat on the back. She said that her God would never forgive me
for that.
12. Once, she gave the class a spelling test but set me
aside and gave me a test designed for junior high students. When I spelled all
the words right, she crumpled up the paper and made me eat it.
13. "You’ll learn respect," she said.
14. She sent a letter home with me that told my parents to
either cut my braids or keep me home from class. My parents came
in the next day and dragged their braids across Betty
Towle's desk.
15. "Indians, indians, indians." She said it
without capitalization. She called me "indian, indian, indian."
16. And I said, Yes,
I am. I am Indian. Indian, I am.
THIRD
GRADE
17. My traditional Native American art career began and
ended with my very first portrait: Stick Indian Taking a Piss in My Backyard.
18. As I circulated the original print around the
classroom, Mrs. Schluter intercepted and confiscated my art.
19. Censorship, I might cry now. Freedom
of expression, I would write in editorials to the tribal newspaper.
20. In third grade, though, I stood alone in the corner,
faced the wall, and waited for the punishment to end.
21. I'm still waiting.
FOURTH
GRADE
22. "You should be a doctor when you grow up,"
Mr. Schluter told me, even though his wife, the third grade teacher, thought I
was crazy beyond my years. My eyes always looked like I had just hit-and-run
someone.
23. "Guilty," she said. "You always look
guilty."
24. "Why should I be a doctor?" I asked Mr.
Schluter.
25. "So you can come back and help the tribe. So you
can heal people."
26. That was the year my father drank a gallon of vodka a
day and the same year that my mother started two hundred different quilts but
never finished any. They sat in separate, dark places in our HUD house and wept
savagely.
27. I ran home after school, heard their Indian tears, and
looked in the mirror. Doctor Victor,
I called myself, invented an education, talked to my reflection. Doctor Victor to the emergency room.
FIFTH
GRADE
28. I picked up a basketball for the first time and made
my first shot. No. I missed my first shot, missed the basket completely, and
the ball landed in the dirt and sawdust, sat there just like I had sat there
only minutes before.
29. But it felt good, that ball in my hands, all those
possibilities and angles. It was mathematics, geometry. It was beautiful.
30. At that same moment, my cousin Steven Ford sniffed
rubber cement from a paper bag and leaned back on the merry-go-round. His ears
rang, his mouth was dry, and everyone seemed so far away.
31. But it felt good, that buzz in his head, all those
colors and noises. It was chemistry, biology. It was beautiful.
32. Oh, do you remember those sweet, almost innocent
choices that the Indian boys were forced to make?
SIXTH
GRADE
33. Randy, the new Indian kid from the white town of Springdale , got into a fight an hour after he first
walked into the reservation school.
34. Stevie Flett called him out, called him a squawman,
called him a pussy, and called him a punk.
35. Randy and Stevie, and the rest of the Indian boys,
walked out into the playground.
36. "Throw the first punch," Stevie said as they
squared off.
37. "No," Randy said.
38. "Throw the first punch," Stevie said again.
39. "No," Randy said again.
40. "Throw the first punch!" Stevie said for the
third time, and Randy reared back and pitched a knuckle fastball that broke
Stevie's nose.
41. We all stood there in silence, in awe.
42. That was Randy, my soon-to-be first and best friend,
who taught me the most valuable lesson about living in the white world: Always throw the first punch.
SEVENTH
GRADE
43. I leaned through the basement window of the HUD house
and kissed the white girl who would later be raped by her foster-parent father,
who was also white. They both lived on the reservation, though, and when the
headlines and stories filled the papers later, not one word was made of their
color.
44. Just Indians
being Indians, someone must have said
somewhere and they were wrong.
45. But on the day I leaned through the basement window of
the HUD house and kissed the white girl, I felt the goodbyes I was saying to my
entire tribe. I held my lips tight against her lips, a dry, clumsy, and
ultimately stupid kiss.
46. But I was saying goodbye to my tribe, to all the
Indian girls and women I might have loved, to all the Indian men who might have
called me cousin, even brother.
47. I kissed that white girl and when I opened my eyes,
she was gone from the reservation, and when I opened my eyes, I was gone from
the reservation, living in a farm town where a beautiful white girl asked my
name.
48. "Junior Polatkin," I said, and she laughed.
49. After that, no one spoke to me for another five
hundred years.
EIGHTH
GRADE
50. At the farm town junior high, in the boys' bathroom, I
could hear voices from the girls' bathroom, nervous whispers of anorexia and
bulimia. I could hear the white girls' forced vomiting, a sound so familiar and
natural to me after years of listening to my father's hangovers.
51. "Give me your lunch if you're just going to throw
it up," I said to one of those girls once.
52. I sat back and watched them grow skinny from
self-pity.
53. Back on the reservation, my mother stood in line to
get us commodities. We carried them home, happy to have food, and opened the
canned beef that even the dogs wouldn't eat.
54. But we ate it day after day and grew skinny from
self-pity.
55. There is more than one way to starve.
NINTH
GRADE
56. At the farm town high school dance, after a basketball
game in an overheated gym where I had scored twenty-seven points and pulled
down thirteen rebounds, I passed out during a slow song.
57. As my white friends revived me and prepared to take me
to the emergency room where doctors would later diagnose my diabetes, the
Chicano teacher ran up to us.
58. "Hey," he said. "What's that boy been
drinking? I know all about these Indian kids. They start drinking real
young."
59. Sharing dark skin doesn't necessarily make two men
brothers.
TENTH
GRADE
60. I passed the written test easily and nearly flunked
the driving, but still received my Washington
State driver's license on the
same day that Wally Jim killed himself by driving his car into a pine tree.
61. No traces of alcohol in his blood, good job, wife and
two kids.
62. "Why'd he do it?" asked a white Washington state trooper.
63. All the Indians shrugged their shoulders, looked down
at the ground.
64. "Don't know," we all said, but when we look
in the mirror, see the history of our tribe in our eyes, taste failure in the
tap water, and shake with old tears, we understand completely.
65. Believe me, everything looks like a noose if you stare
at it long enough.
ELEVENTH
GRADE
66. Last night I missed two free throws which would have
won the game against the best team in the state. The farm town high school I
play for is nicknamed the "Indians," and I'm probably the only actual
Indian ever to play for a team with such a mascot.
67. This morning I pick up the sports page and read the
headline: INDIANS LOSE AGAIN.
68. Go ahead and tell me none of this is supposed to hurt
me very much.
TWELFTH
GRADE
69. I walk down the aisle, valedictorian of this farm town
high school, and my cap doesn't fit because I've grown my hair longer than it's
ever been. Later, I stand as the school board chairman recites my awards,
accomplishments, and scholarships.
70. I try to remain stoic for the photographers as I look
toward the future.
71. Back home on the reservation, my former classmates
graduate: a few can't read, one or two are just given attendance diplomas, most
look forward to the parties. The bright students are shaken, frightened,
because they don't know what comes next.
72. They smile for the photographer as they look back
toward tradition.
73. The tribal newspaper runs my photograph and the
photograph of my former classmates side by side.
POSTSCRIPT:
CLASS REUNION
74. Victor said, "Why should we organize a
reservation high school reunion? My graduating class has a reunion every
weekend at the Powwow Tavern."
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